Tag Archives: 100 word review

Netflix Film Review: The Hole In The Ground (2019) #100WordReview @SeanaKerslake @Netflix #HorrorMovie

check out my film review and Netflix blog at https://filmmovietvblog.wordpress.com

The Hole In The Ground is the remarkably well-accomplished debut feature from Irish writer-director Lee Cronin. Single mother Sarah (Seána Kerslake) has upped sticks to the countryside with her eight year old son Chris (James Quin Markey). After Chris goes for a mysterious midnight stroll in the nearby forest, Sarah begins to notice disturbing changes in his character. Is this even her son at all?

A gut-churning slowburn, this horror-thriller recalls 2014’s equally nerve-shredding The Honeymoon and shares DNA with The Babadook. Convincing central performances and potent sound design and cinematography.

We are kept guessing until the very end: has her son really been replaced, or is it all in her own mind? A true delight.

4/5

© 2020 Bryan A. J. Parry

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100 Word Film Review: The Blind Side (2009)

The Blind Side is the true story of a wealthy WASP family, headed by Mater Familias Sandra Bullock, who take in a seventeen year old homeless black kid from the wrong side of the tracks. Battling social prejudice, lavishing him with clothes and an education, this is altruism at its best — or is there an ulterior motive? A prestigious football scholarship is at stake.

This fish-out-of-water tale has plenty of heart. Success is never a foregone conclusion. Tight scripting earnt this flick an Oscar nom for best screenplay, Bullock herself won Best Actress for her subtle, humane, and convincing portrayal.

4/5

© 2017 Bryan A. J. Parry

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Film Review: Arrival #100WordReview @ArrivalMovie @TheFilmReview @KermodeMovie #AmyAdams #ericheisserer #DenisVilleneuve

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Arrival sees a linguist tasked with making first contact with extraterrestrials. Based on an award-winning short story, the film can only be described as this generation’s Contact or 2001: A Space Odyssey. Same epic feel, familiar dark featureless monoliths (spacecraft). Yet it’s no rip-off.

Truly alien aliens, a tension and uneasy terror that surely would acccompany first contact, a disturbing sense of realism. All achieved without wobbly camcorder shtick.

Just like its illustrious spiritual forebears, Arrival is beautifully understated, deceptively straightforward plot-wise, and handles deep themes without pretension or pomp.

The anti-Independence Day. Found Contact snooze-inducing? Miss it. I say: instant classic.

4/5

(see the full-length review here)

© 2016-2017 Bryan A. J. Parry

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