The Circle is the world’s number one tech business, a Facebook-Google-Apple mash-up led by a kind of Steve Zuckerjobs (Tom Hanks). Young intern Mae (Emma Watson) scores a dream opportunity to work for the firm, but the dream quickly turns into a nightmare. The set-up is compelling: the darkside of social media and modern technology, the invasion of people’s privacy and the loss of anonymity, as perpetrated by floppy-haired, latte-supping, trendy technologistas, under the guise of techtopian idealism.
Sadly, a well-realised world deserves a well-realised film. Most characters are cardboard cut-outs that we don’t care for. The development of Emma Watson’s character is illogical; the more she suffers the folly of this Brave New World, the more she seems to buy into it. And the ending is unfulfilling and makes no sense; Mae’s reaction is the literal opposite of the logical end point of her story arc. Watson does the best she can, and Tom Hanks is compelling, but the lack of through-line in the script makes for a frustrating what-might-have-been mess.
© 2018 Bryan A. J. Parry
featured image from https://www.imdb.com/title/tt4287320/mediaviewer/rm2345938944
An isolated area of countryside is cut off from the world by an eerie shimmering light which surrounds it; no one who enters “the shimmer” is heard from again. Communication in and out of the shimmer is impossible. And with the shimmer slowly growing in size daily, engulfing the surrounding area, the government is called in to carry out a classified investigation under the guise of a chemical clean-up operation.
An all-female team, led by a biology professor (Natalie Portman) and a psychologist (Jennifer Jason) Leigh, each with their own agendas and ulterior motives, are the latest to enter. The world they find within the shimmer is an Alice-in-Wonderland, LSD trip gone wrong. A nightmarish hallucination, which is both utterly unlike anything you’ve seen before, and completely convincing.
The film is a genre-defying science fiction-horror-thriller-psychological thriller-creature feature which shares genetic strands with Sphere (1998), Event Horizon (1997), Contact (1997), and Cloverfield (2008). But this is all par for the course for writer-director, Alex Garland, whose previous accomplishments include Ex Machina and 28 Days Later.
This film is tense and, yes, genuinely scary. A horrifying slow-burn with some first rate acting.
© 2018 Bryan A. J. Parry
featured image from https://media.aintitcool.com/media/uploads/2018/big_eyes/annihilation-movie-poster-snippet_huge.jpg
The Blind Side is the true story of a wealthy WASP family, headed by Mater Familias Sandra Bullock, who take in a seventeen year old homeless black kid from the wrong side of the tracks. Battling social prejudice, lavishing him with clothes and an education, this is altruism at its best — or is there an ulterior motive? A prestigious football scholarship is at stake.
This fish-out-of-water tale has plenty of heart. Success is never a foregone conclusion. Tight scripting earnt this flick an Oscar nom for best screenplay, Bullock herself won Best Actress for her subtle, humane, and convincing portrayal.
© 2017 Bryan A. J. Parry
featured image http://truesportsmovies.com/wp-content/uploads/2014/03/the_blind_side1.jpg
Honeymoon stars the ridiculously lovely Rose Leslie (a.k.a. “Ygritte”, of Game of Thrones fame) and Harry Treadaway as can’t-keep-their-hands-off-each-other newlyweds Bea and Paul. Honeymooning in Bea’s family cabin in the woods, things start to unravel quickly for the young couple after Paul wakes up to find his wife sleepwalking in the forest. Despite Bea claiming no memory, it soon becomes clear that something very bad happened that night.
So what did happen in the woods? The film never spells it out. But it doesn’t matter; the nocturnal events are merely a device to explore what becomes of a healthy and seemingly rock solid relationship when one partner is violated in some way.
Brilliant and deeply unsettling, the off-centre performances heighten the tension. Honeymoon gave me repeated goosebumps and made me shiver almost endlessly. Horrific and disturbing. Perhaps the finest American horror film in years.
© 2015-2017 Bryan A. J. Parry
featured image from https://upload.wikimedia.org/wikipedia/en/d/db/Honeymoon_film_poster.jpg
review originally appeared at https://doggerelizer.com/2015/08/17/150honeymoon/